Reviewed
by Patrick Gibbs
Daniel
Craig, Javier Bardem, Judi Dench, Ralph Fiennes, Naomi Harris, Ben
Whishaw
Screenplay
by Neil Puvis & Robert Wade and John Logan
Directed
by Same Mendes
The
best things in life are worth waiting for.
The
latest Bond film was canceled once, and spent some time in limbo.
It's taken a while to come to fruition in an age when sequels are in
development before the previous film has wrapped. But all that
waiting has paid off.
Casino
Royale breathed
new life into the stale in the James Bond franchise. A series that
probably should have ended decades ago and spared us Diamonds
Are Forever and
nearly all of the Roger Moore movies was back with a vengeance, and
better than ever. Indeed, Royale
may have been Bond at his absolute best.
The
rushed and under thought Quantum
of Solace, sadly,
was not.
It
wasn’t terrible, but it was not as good as the first two Brosnan
films, or even License
To Kill.
It wasn’t so much a movie as it was a sloppy epilogue, and the
presence of director Martin Campbell, who rejuvenated Bond not once,
but twice, with Casino
Royale
and GoldenEye
before it, was sorely missed. Bond needed to do something daring
again.
Enter Mr. Daring
himself, Academy Award Winning director Sam Mendes, who helms Skyfall
with an expertise that once again raises Bond to a whole new level.
Mendes, helped along by a script by John Logan, who most recently
gave us Hugo, gets great performances, deeper characterizations, and
action that ranges from delightfully over the top to startlingly
intense.
The
film begins with a spectacular teaser sequence, as always. As the
trailers have given away, Bond appears to be killed on this mission,
but, after lying low for a while, resurfaces when he learns that
identities of covert agents around the world have been compromised
and a bomb blast destroys MI6.
He
returns to what is left of the organization, with no small amount of
irritation at his boss M (Judi Dench) for ordering an agent to fire
the shot that nearly killed him. In addition, there's no small amount of awkwardness in his relationship with Eve
(Naomi Harris), the rookie agent who actually fired the shot. In addition, a
British Official named Mallory (Ralph Fiennes) is looking over
everyone’s shoulders, waiting for Bond and M to mess up, and Bond
is introduced to a new – and very young – Quartermaster, or “Q”
(Ben Whishaw, last seen in Cloud Atlas.)
From
here we go into the obligatory jaunt around the world in search of a
villain, but just when we become convinced we’ve seen this all
before, Mendes pulls the rug out from under us and gives us perhaps
the most original and different film in the history of the franchise,
and certainly the one with the best performances. Daniel Craig adds
to impressive list of accomplishments being the first Bond to make me
cry, and Judi Dench is finally, at long last, fully utilized as a
character. Add to that the thrilling performance by Javier Bardem as
a villain that echoes Ricardo Montalban's Khan and Heath Ledger’s
Joker, plus the welcome presence of Fiennes (who, ironically, turned
down the role of Bond in GoldenEye), and the delightful and
underrated Harris, and you have a truly stellar ensemble.
But
make no mistake, the stars of this film are Sam Mendes and director
of photography Roger Deakins, perhaps the finest hand with a camera
working today. This is a visually perfect movie, whether we’re
watching backhoes fighting trains or quiet character moments framed
and lit to atmospheric perfection.
The
only downside to Skyfall is the question of whether the next
film can live up to the standard set by it. I’m looking forward to
seeing what happens next.
Skyfall
is
rated PG-13 for violence, sex, and mild profanity.
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